Few labels hold as much weight in reggae's rich history as Studio One. Founded by Clement "Coxsone" Dodd in Kingston, Jamaica, in the late 1950s, Studio One became a cornerstone for the development of ska, rocksteady, and reggae. Often referred to as the "Motown of Jamaica," it was more than just a recording label—it was a musical institution that nurtured many of reggae’s biggest names.
In the late 1950s, Clement “Coxsone” Dodd, a pioneering sound system operator, began producing his own records to complement the imported ones he played. His early recordings, blending jazz, ska, and R&B, quickly resonated with local dancehall crowds. As demand surged, Dodd became Jamaica’s first producer to press records for public sale. In 1963, he opened Studio One, a revolutionary space where musicians could experiment freely. By offering steady wages to his house band and welcoming Rasta culture, Dodd fostered an environment that pushed Jamaican music to new heights.
“Because I had my own studio I did a lot of experimenting, what I used to do…I record the music, put it on a dub plate and go straight to the dance hall and watch the reaction. Many a time, we make the record and change it around, watch the reaction, and change it around to suit the fans.” Coxsone Dodd
At Car Boot Soul Records, we celebrate this legacy with a selection of Studio One classics that are essential listening for any reggae fan.
Ken Boothe – Mr Rock Steady (1968)
This early album from Ken Boothe showcases his silky smooth voice over rocksteady rhythms. Featuring hits like “Puppet On A String,” the album helped cement Boothe’s reputation as one of reggae’s greatest vocalists and is an essential piece for collectors of Jamaican music. This copy features a killer cover version of Motown classic “You Keep Me Hangin On” which is hidden away and replaces the original track listed on both he labels and sleeve as “Feel Good”.
Bob Andy’s Song Book is one of the most influential albums to come out of Studio One. It features classics like “My Time” and “Desperate Lover,” which showcase his deep, soulful voice and socially conscious lyrics. The album is a masterclass in songwriting and reflects the versatility of reggae during its early years. Andy’s contributions to Jamaican music, both as a solo artist and a member of the Paragons, solidify Song Book as an essential addition to any reggae vinyl collection.
Jackie Mittoo – Macka Fat (1971)
Jackie Mittoo’s Macka Fat is an instrumental tour de force. Known as Studio One’s musical director, Mittoo’s keyboards define this record, combining jazz, reggae, and funk influences to create a superb rhythmic and melodic experience.
Horace Andy – Skylarking (1972)
Horace Andy’s haunting, melancholic voice made him one of Studio One’s standout stars. Skylarking features the title track, which has become one of reggae's most iconic songs. Its message of resilience and hope paired with Andy’s ethereal voice helped define the "roots" sound that Studio One would become famous for during the 1970s.
Jennifer Lara – Studio One Presents Jennifer Lara (1974)
Jennifer Lara’s debut album is a perfect blend of reggae, soul, and R&B. It is classic Lovers Rock (before the term was even invented) but is also just a badass reggae LP. The standout track, “Consider Me,” showcases her smooth vocal delivery layered over classic Studio One rhythms. Lara became a key figure in the Studio One roster, and this album represents the early versatility of female voices in reggae, blending lovers rock with deeper roots themes.
Sugar Minott – Live Loving (1977)
Sugar Minott's Live Loving is widely regarded as the first "dancehall" album, marking a turning point in reggae’s evolution. Recorded at Studio One, the album is notable for its stripped-back production, with Minott toasting over classic Studio One rhythms. This album cemented Minott’s reputation as a trailblazer in reggae and helped establish the "riddim" culture that would dominate dancehall for years to come.
Dennis Brown – If I Follow My Heart (1978)
Dennis Brown, the “Crown Prince of Reggae,” delivers one of his best vocal performances in If I Follow My Heart. The album reflects his roots reggae sound, with emotional depth and lyrical complexity, making it a standout in his extensive discography.
Michigan and Smiley – Rub-A-Dub Style (1979)
This dynamic duo brought the "rub-a-dub" deejay style to mainstream reggae with their infectious energy and streetwise lyrics. Rub-A-Dub Style features the hit "Nice Up the Dance," which helped solidify their place as pioneers of the dancehall genre. Studio One’s production on this album perfectly complements Michigan and Smiley’s back-and-forth vocals, laying the foundation for what dancehall would become in the 1980s.
Conclusion
At Car Boot Soul, we specialize in rare and classic reggae vinyl records for sale online, perfect for any reggae enthusiast or DJ looking to add timeless records to their collection. These records offer more than just music—they are a slice of Jamaican cultural history.
Studio One’s vast catalog is a testament to its role in shaping the landscape of Jamaican music. From ska to rocksteady, roots reggae to dancehall, the label has nurtured some of the genre’s greatest talents. At Car Boot Soul, we’re proud to feature these classic albums that continue to inspire and influence musicians worldwide. Whether you’re a longtime fan or new to reggae, these Studio One releases are essential for any vinyl collection.
Dive into the sounds of Studio One—Jamaica's musical heart and soul.